Blue Crush | Coalition for Better

Blue Crush

Look closely to see if you can find Kate Bosworth's defect.In Reel Life: Anne Marie has stunning eyes -- one is bright blue, the other brown.In Real Life: Those are Bosworth's eye colors -- she has a condition called heterochromia iridis. \"I was born with it,\" she told USA Today. \"It's a defect in the chromosome.\"

\"Blue Crush\" knows something most surfing movies don't acknowledge--that many non-pro surfers endure blue-collar jobs as a way to support their surfing, which is the only time they feel really alive. Surfers in the movies have traditionally been golden boys and girls who ride the waves to Beach Boys songs--and live, apparently, on air. In \"Blue Crush,\" we meet three Hawaiian surfers who work as hotel maids, live in a grotty rental, and are raising the kid sister of one of them. Despite this near-poverty, they look great; there is nothing like a tan and a bikini to overcome class distinctions.

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Naturally, the movie is about how Anne Marie overcomes her fears. It should be huge with teenage girls (and why not surf movies have always been the province of boys). But I wouldn't be surprised if even those moviegoers most captivated by the plot find themselves tuning it out. \"Blue Crush\" offers the most intense visual experience I've had at the movies all year. The cinematographer, David Hennings, and the editor, Emma E. Hickox, who works with split-second precision, seem to regard the ocean with the same awe as the movie's surfer girls do. (The movie doesn't use a single blue-screen shot, or any tank shots.) Looking at \"Blue Crush,\" you have no trouble comprehending why surfers worship the ocean. It's a god so immense that obeisance seems the only proper response.

You can take all the shots of rolling surf the movies have given us and not find anything like what you see here. The camera enters into the curl of waves so that the rising wall of water looks like rippling blue-green glass. (When Anne Marie runs her hand along that surface as she rides a pipeline, and we see, from beneath the surface of the water, the trail her fingers leave on the wave, it's a moment of the purest elation.) Hennings and Stockwell don't stop there. There are underwater shots taken (God only knows how) from beneath waves, so that they look the way gathering storm clouds do in time-lapse photography. And there's an incredible shot of what happens when a wave pounds down into the ocean, twisting the water into a shape like pulled taffy, or like a slim, horizontal twister. 781b155fdc