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MPEG-2, MPEG-4, and MPEG-4 AVC are all registered trademarks of the Moving Picture Experts Group (MPEG), which is a professional organization formed to develop a common standard for compression and encoding of video and audio data. This is the organization that developed the MPEG-1 video format, which is also known as MPEG-1 video, MPEG-1 Layer 3, and MPEG-1 Part 3, among other names. MPEG-1 was supported by many video players, but was decried as inadequate for VCD and DVD by a group of parties, who began to meet as the DVD Forum, later renamed as DVD Consortium. Instead, MPEG-2 was developed as a successor, which was developed as the MPEG-2 Part 2 standard. MPEG-4 is the successor to MPEG-2 and the MPEG-2 Part 10 standard. MPEG-4 AVC is the successor to the MPEG-2 Part 10 standard. Most video players and DVD players support MPEG-2 and MPEG-4. MPEG-1 is only used by some DVD players and MPEG-2 is not used by any DVD players.

CDX (Creative Digital Cinema) is a DVD-9 movie format, which is an official part of the Digital Cinema System, a part of the Digital Cinema Initiative.[3] Unlike DV, it does not have a linear video stream, but instead is based on progressive scan and interlaced video with custom random audio track and subtitles. It is intended to be an open format, supporting multiple codecs.[4] It was originally intended to be used for the distribution of low-bitrate versions of Hollywood movies. In that role, it may be used in conjunction with a codec optimized for its bitrate. The movie industry has expressed doubts about the future of its adoption for films, and no format has been approved. The main challenge is that the Digital Cinema System is an initiative of the Motion Picture Association of America (MPAA), which is the dominant Hollywood studio, and the French Socialist Party, which has political control of the French film industry. Opponents have criticized the use of the CDX format, arguing that it is a lock-in strategy. This has been cited as one of the reasons why the U.S. Congress declined to approve the merger between the MPAA and the French film industry in 2004, and the MPAA has not allowed the Digital Cinema System to incorporate any format other than the MPEG-4 AVC standard.

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