Neoclassical Guitar Licks Pdf 15
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Yngwie plays cool arpeggios with his right hand. In the first example you can hear the arpeggios played in arpeggio pattern. I usually play it with a left hand picking pattern on top of the arpeggios. The first example is pretty simple. It's just a basic arpeggio, nothing special. The second example is the same arpeggio played with some power. The right hand arpeggios are really fast, and the left hand is playing a very simple lick. These arpeggios are the foundation for the whole solo. You can hear that in the second example, where the right hand plays a single note chord, and the left hand plays arpeggios. The third example is just one of those licks you can't stop playing. He has an incredible technique on this song, and this particular arpeggio gets played over and over and over again. It's very energetic, and has great power. The fourth example is based on the previous two, and it's a bit more complicated. On this example Yngwie's technique is very evident. He's using a scale that is the scale of the V7 chord, and he's pushing the melody to the extreme. The power in this example is also very impressive.
Rhoads met Eddie Van Halen in 1976. Van Halen, then a student at Pasadena's Westridge High School, had heard Rhoads play at a house party. Rhoads had a van following him to Van Halen's house in 1979. Van Halen was impressed by Rhoads' technical abilities and asked him to stay, studying with Rhoads in his garage. Van Halen played a Fender Telecaster and Rhoads a Gibson Les Paul Special. The two worked together, building their skills. Rhoads played the first-generation Jackson Rhoads model, which Van Halen bought. Rhoads and Van Halen began jamming after school. Rhoads' mother and father had forbidden the two from jamming at home. When his father discovered what he was doing, he confiscated all of Rhoads' guitars. After Rhoads' parents divorced, Rhoads and Van Halen began jamming after school each day. The two bonded over playing fast, complex music.
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