[S1E4] Fashion Victims
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Clover was born to Stella and inherited the spy gene. This gene was the reason for her unknowingly monitored by Jerry during childhood. She had exhibited her talent in espionage at an early age, mostly in stealth. Clover was eventually transferred to Beverly Hills High at the start of her freshman year, something she didn't mind because of its fashion sense.
Clover is the most girly and flirtatious of the main group. She is known to have had an abundance of boyfriends and will do anything to get a guy. In almost all the episodes, while she is on a mission, she is always talking about a guy she wants to date or talking about an outfit she's going to wear on a date. This is strange, because during elementary school, she was always bullied by her classmates and mainly by one boy, because they regarded her as being particularly easy to trick, as we are told in the episode \"Spies vs. Spies\". The initial B-story of part 3 of the episode \"Evil Promotion Much\" had her struggling to find a date for her debutante party, as she had dated every single boy in the city. Her love of boys can almost (if not entirely) be matched by her love of fashion and beauty.
Clover is a tall, athletic, slender, beautiful and attractive girl with white skin, blonde hair, bright blue eyes, and a trendy fashion style. Her hairstyle is a fluffy, personalized medium length bob cut that she calls a coif bob in \"Totally Switched Again\", which has the rear and sides are flared out while the front bangs, called a mop, come out over the left side of her face and flips when her shakes horizontally.
The detectives investigate the crime scene, including speaking with the podcasters and obtaining their recordings. Will makes a new discovery at the scene: a bloodied rope, a license belonging to Phineas Lathrop, and a hanging body with gunshot wounds. The body is identified as Phineas Lathrop. Will deduces that both victims, Arthur Tealy and Phineas Lathrop, were held captive and likely escaped before being killed by the perpetrator.
After examining the room, the detectives found signs of biblical punishment being inflicted on the victims. They discover a diary with the same verse from the Bible written repeatedly in various handwriting, indicating that there were several previous victims. The detectives also find a kneeler with jagged shards of glass, which was intended to harm anyone who used it. The label on the kneeler led Will and Faith to a nearby church, where the tool was allegedly stolen.
While Will requests a list of volunteers from the church, Faith comes across an advertisement offering jobs to men looking to change their lives. The ad contains a verse from the Bible, 1 Timothy 3:8, making it clear to the detectives that the perpetrator was using it to lure his victims.
Last week's Vienna Blood ended on the revelation that Reinhardt and Max are chasing a serial killer. They have some clues as to who it is already. He's a soldier, a nationalist, who is either part of or inspired by the Brotherhood of Primal Fire. His victims so far are prostitutes, women of color, and immigrants. This week's episode opens with Max attempting a date with Amelia Lydgate, insisting he's just thanking her for helping them on the case. But she is no fool and tells him point-blank they should not see each other again. She also wishes him a pointed \"Good luck\" with his engagement to Clara.
This was an intense episode, fueled by a hit man who used a steel spike as his weapon of choice. His victims were council men deciding to vote on the critical fate of Arkham and the utilization of the property. The opposing players in the battle for Arkham are Maroni and Falcone. Bruce Wayne confesses to Jim Gordon that his parents mission for Arkham was to house and rehabilitate the mentally ill in the most humane manner. Unfortunately, Bruce has to sit helpless as the war for Arkham begins.
Doc showers, she's in disbelief that she's human again, even crying. She exits the showers to find Flesh waiting in the hallways, wondering if she's alright, Doc says that she never was and never will be, going on to say that she never asked for it, Flesh explains that he didn't either, and it doesn't get easier. Hoping to add some comfort, he explains that she was spared of never having to kill anyone, but Doc insists that she wasn't as she was stuck in a cage for months, alone, hungry, and craving something she couldn't have. Flesh agrees, but he elaborates, saying that at least she was inside, safe and taken care of, which is less than he can say for the vampire stuck out there, he had to face Julius, a powerful vampire that likes to torture and kill his victims slowly. He then says that there are others and that Julius isn't even the worst of them, but they are all brutal, reminding Doc once again that she was lucky to never have to face that.
The episode begins with Serena, Eric, and Lily having breakfast discussing Lily's vacation with Bart. Chuck comes into the room and reveals to Lily that Dan and Serena broke up once again. He encourages Serena to take over being queen of Constance, but she declines and says that's Blair's thing. Chuck leaves with Eric for school, and Lily asks how Serena's doing. She replies that she's okay for now but seeing him every day will be hard. Meanwhile, in Brooklyn, Dan and Rufus are also discussing the breakup. Rufus encourages him to take things slow and Dan brings up his date who slept over and snuck out. Jenny comes out and explains that she's anxious over going to school due to Blair's organization of girls into groups: projects and victims. Dan mentions that he's glad he's not a girl.
Those who stand against them have fashioned themselves Purists, which casts the stakes of the conflict in stark relief. The abnormal is viewed as the impure, a taint not just on the one touched by it but on the body politic as a whole, like a lesion to be lanced. And on the other side we find Maladie, who has taken a name that embodies that notion of sickness and proclaims that she only kills angels.
Outside, Lawrence is having his hands tied behind the post for his execution, already blindfolded, while the MiB lights up half of his remaining cigar, and slides it into the lock of the cell door. The cigar containing the low yield explosives in question, sparking and destroying the lock of the prison cell. Telling Hector to step lively, the MiB kicks the cell door open, the pair of them heading out only to run into Deputy Roe. Lit stolen cigar in his mouth. Which promptly explodes, blowing his head up before he can shoot them. The MiB moving to retrieve his own holster and gun. At the firing post, on Marshall Pruitt's enquiry Lawrence's last words are \"Get it over with,\" Marshall Pruitt's men load up, and Pruitt moves to drop his hand, Lawrence steeling himself. Only to hear gun shots go off all around him...none of them hitting him, the Man in Black and Hector arriving, killing Marshal Pruitt and his men, saving Lawrence's life once more almost in the same fashion as before.
Seventeen years later, Cohle and Hart are interviewed separately, five days apart, about Dora Kelly Lange by Detectives Thomas Papania and Maynard Gilbough. Hart and Cohle have not spoken in ten years after a falling-out in 2002. Cohle is shown a photograph of another girl whose body has been found posed in similar fashion to Lange. Papania and Gilbough want to know how the killer could have struck again if he was caught in 1995.
Cut to personal life drama: We see that Marty's \"other woman,\" Lisa, is a court stenographer (ah! That's how they met!) Lisa publicly confronts Marty about the crazy scene he made the previous week, and says he can't treat her that way (yeah, probably wasn't a good idea to show up at Lisa's and confront the man she took home, Marty). Marty, in true misogynist fashion, basically tells her that she's just being a crazy woman and that he doesn't even want to have the conversation. 59ce067264
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